>>3421231I'm still gonna comment it because there's no better moment to kick a man than when he's on the ground (((=
Is the S shape the literal S in "HS"? Of course you can shoot whatever you want and just scouring the streets looking for S'es is good practice enough, but the point of S lines is to lead your eye along all the frame. The IQ is really bad, but I guess you already know that. I'm not sure if I should look at the streetlight which is brightest and most colorful, the human figure at the intersection of two lines, or the garbage can which has the strongest contrast. A bit of autism here, I'd make the line of the curb come exactly out from the corner. Where it touches the left border I'm not sure if I would put some extra space or if a little space would be more annoying than cutting it out a bit.
>>3421662Is this still you? Same as above, S is more of a detail than anything, but the silhouette is nice. Again, crop so the pole comes out of the corner. You'll see a lot of photographers putting a slightly crooked line coming out of the lower right. As some people read photos left to right and down having a line in that corner brings your gaze back to the top and (possibly) keeps the eye in the frame a bit longer. Try a portrait framing and taking a few steps to the right so there's less empty space between lamppost and building.
Keep looking for S-es, there's time until the 15th and you can post as many attempts as you want.
>>3421554Hey manza. I like that the S connects to the white lines, but it would be better if everything was in focus. Maybe it's just me, but I feel having the S a bit to the left would balance the two portions of sky.
Bumping with old S-curve from November.
