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If the Shroud is a forgery then, according to Kilmon, the following must also be true.
1. The forger first painted the bloodstains before he painted the image.
2. The forger integrated forensic qualities to his image that would only be known 20th century science.
3. The forger duplicated blood flow patterns in perfect forensic agreement to blood flow from the wrists at 65° from vertical to suggest the exact crucifixion position of the arms.
4. The forger "painted" the blood flows with genuine group AB blood that he had "spiked" with excessive amounts of bilirubin since the forger knew that severe concussive scourging with a Roman flagrum would cause erythrocyte hemolysis and jaundice.
5. The forger "plotted" the scourge marks on the body of the "man in the shroud" to be consistent under forensic examination with two scourgers of varying height.
6. The forger also duplicated abrasion and compression marks on the scourge wounds of the shoulders to suggest to 20th century forensic examiners that the "man in the shroud" had carried a heavy weight following the scourging.
7. The forger, against all convention of medieval artistry, painted the body he was "hoaxing" as Jesus of Nazareth, nude to conform to genuine Roman crucifixions.
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