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Like Xmen evolution is probably the worst because I feel like the concept originates from what I’m talking about, but then they don’t really feel it at all in that series so it just seems strange and then you wonder what they’re trying to get at. There’s obviously a connection here to what I’m talking about and the examples I’ve provided but it makes you wonder if they really mean the same thing overall. It’s too hard to be certain, but looking at all the evidence I have to assume they do.
Well, with Xmen evolution maybe that was the point, apocalypse is blue skinned and all his hieroglyphic shit is blue, he often glows with bright light, so
I’m guessing that was the point I guess.
Zelda botw and Totk feel it to an extent but it’s like it’s held off at a distance they almost stop you just before you feel it too much, which I’m sure they do on purpose. I have to say they’re talented artists for accomplishing that probably, but it was obviously on purpose by the designers of the games. Totk doesn’t really feel it as much.
I think the Japanese seem to be able to feel it, but they seem to think it’s mostly wrong or something so they don’t hardly ever show it.
I’ve kind of gotten this idea that it’s a bad thing, but I don’t really think it is, and the reasoning they try to show it in fiction is because supposedly it’s bad because (hieroglyphic shit) or like robots. Actually castle in the sky is another one, and there’s these robots that turn killer in defence of Laputa. But generally I don’t know, I think the idea with the hieroglyphics shit is that you’ll be controlled by it.
