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Was just talking to my friend about Coltrane in particular. Early stuff he did with melody is obviously digestible to european/western ears.
Anything after 60 is just chaos. Absolute zonked out nigger flapping his big lips with an 'ooga booga here and an ogga booga there'. Un-Listenable.
And the ONLY reason it is heralded as some great 'improv phrasing' and 'wild note choices' is because Jew critics say it is. To sell the degenerate low IQ jiggaboo jazz to hipster whites, the only people with money to buy those records, through their Jewish magazines of forced hipness like Down Beat etc.
Then there is the likes of Elvin Jones with his flailing around of his monkey limbs, off time jabs of heroin and drink induced savagery...
Avante Garde is a jewish ruse to get the whites to accept formless and anti beauty in what they enjoy in their leisure and thus dumbing down the senses for future takeover of their children with rock and roll and their children with gangster rap.
some o.k. niggers of the jazz variety: Charlie Parker, Sonny Rollins, Miles Davis (more of an artist) Art Blakey. early Monk and Coltrane.
Some of that early stuff i don't think the niggers are even playing on the records it sounds like Jewish session men especially the note choices and the tone. This was all to set up the degenerate culture we live in today keep in mind....selling records is only secondary so why would they waste their time telling some feral groid how to play when they can get him into a nice suit for the album cover and let him blow a little bit in the studio, with no tape running, to let him think he is playing so he shuts his mouth to his nigger friends in the clubs. Real pipe swinging knife pulling niggers mind you, the type who would murder and rape the very whites who are obsessed with their records and treat them like fucking ape gods.
