>>16855062>>16855063Problem is you tug it it too fast anon. When one engages in an act of sophisticated culturally-driven self-fulfillment, like masturbating to The Lark Ascending for example, it is necessary to understand that considerable preparation, rhythm, timing and orientation with the piece are need to obtained in order to gain the stratospheric levels of ecstasy that you truly long for, and indeed must obtain to become at peace with yourself.
The work opens with a light dancing string melody, flighty and invigorating. This is perfect for delicate foreplay, light stimulation of the scrotum with gentle, swirling caresses. Allow your finger tips to delight in the skinfolds and divots of the testes, and effervescent contact is essential for the first 2 minutes of the performance.
At about the 3:15 the string gives way to brass, which should signal you to begin upon the perineum. Less supply and nuanced than the testicle, this off-overlooked site of building pleasure should more firmly pressed in order to massage the base of the shaft.
Forty seconds of this contact should suffice, at which stage the first checkpoint of our journey of touch is reached; the string is joined for the first time by the full orchestra, erupting into life at 3:55. Now it is possible to begin exploration of the penis proper. Do not rush straight for the glans, allow gentle swooping motions to commence about the base of the shaft, realising that the music has yet entered another phase of tranquil plateau you should prolong your time here, not reaching the tip until at least the 6 minute mark.
Here now in the giddy heights the track erects a flamboyant dance, the main bridging theme repeated anew by a plethora of wood and string. So too you should you elevate your attentions, increasing tempo through the 7 and 8 minute make. Be creative, both hands should be utilized across the four main areas of stimulation, with more vigor and enthusiasm.
(end of part 1)
