When I was fifteen, sixteen, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was, the dream was so big
That I didn't see any chance because I was living in a little town, was studying
And when I finally broke away from school and became a musician
I thought "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music and not only play music, but compose music
At that time, in Germany, in '69, '70, they had already discotheques
So, I would take my car, would go to a discotheque, sing, maybe, thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home and that helped me for about, almost two years
To survive
In the beginning
I wanted to do an album with the sounds of the '50s, the sounds of the '60s, of the '70s
And then have a sound of the future
And I said, "Wait a second
I know the synthesizer, why don't I use the synthesizer, which is the sound of the future?"
And I didn't have any idea what to do, but I knew I needed a click, so we put a click on the 24-track
Which then was then synced to the Moog Modular
I knew that could be a sound of the future, but I didn't realize how much the impact it would be
My name is Giovanni Giorgio, but everybody calls me Giorgio
