>>764752I came to insult your draws but the character studies are way, way, way fucking better than the comic. As other anons said the faces and expressions are the highlight. You shouldn't cut corners on the comic, remember that shit will be out FOREVER and it's really your worst work.
The second problem is the color. I can see you want to tell a color story but bro, you are fucking ass at colors. You should stick to black and white and some accent colors for when it really matters. Instead what you've done is full color comic with clothes that for some reason change, whole outfits of color and then RED PANELS OF CRINGE. Bro, do the whole thing black and white and then if you really need the sunset panel just do that. Or maybe do the blue panels in the style of the red panels - single color instead of full color. It's clear you struggle so don't fucking waste energy on something that makes it worse.
Which brings me to your worst offense. The text. The fucking handwriting. Fucking STOP. it's not iconic, it's fuck all hard to read and nobody is impressed. Meanwhile it's obvious most of your energy is going into crabbing out each letter instead of what you should be doing, drawing the characters. Pick a font, use it. There are plenty of handwriting and comic fonts, free even. Choose for clarity, but mostly change to stop wasting fucking energy writing.
Last do yourself a favor, get clipstudiopaint. Like the writing if you spend your peanut brain energy trying to get panels right (seriously how fucking hard is it?) you're taking away from making a better comic. Clip is cheap as shit and has all the tools including and especially some super banging comic panel tools. And dont' get fuckign fancy at first, you can break panels and do long mixes and borderless later when you're used to typing and your characters are worth it. You don't need it for this tripe, so just keep it simple clean panels until you figure out your drawings.
