>>3454412>aside from the fact that I was in decently lit areas in London at night.Decent for the eyes is not decent for film mate.
Eyes adjust and can have tremendous sensitivity in low light.
Unless you're right under the Piccadilly lights, you can expect to be shooting at f/2 and 1/30 at best, with ISO 800.
Usually in situations like this, I use B&W film because the light is shitty to begin with (yellow tungsten puke), and also since with B&W you can get an extra stop of true sensitivity, and a bit more if you don't mind pushing.
Picrelated is under "strong" street lights (staying almost under the lightpole), ISO800 f/2 and 1/25 or 1/50.
Unless you have some dank strong neons in your frame, I wouldn't bother with colour under artificial light. The only semi viable option is Kodak's cine tungsten film, 500T.
