>>4369855The ONE LINK you will post is a blog post comparing an IQ180 to 4x5. And what do we see at that link?
- They purposely botched the comparisons by using shitty pixelated scaling algorithms for digital.
- 6x7 Provia could NOT resolve line pairs beyond the point where the IQ180 aliased.
- Before the digital aliasing/film mush the IQ180 clearly out resolved 6x7 Provia (much sharper).
- You need 4x5 or Adox CMS 20 II in 6x7 to out resolve the IQ180 on a high contrast line chart.
- In the real world the IQ180 got within 95% of the resolution of 4x5 Porta.
All you have are excuses, lies, question begging, special pleading, and childish taunts. You've got nothing.
So what can we conclude from all of this? In the real world 50mp like a 5Ds > 6x9 for any film except a microfilm like Adox CMS 20 II. That means a GFX with a 50mp sensor is also better as it edges out FF 50mp. That means GFX with a 100mp sensor is FAR better and can out resolve film in 4x5, again with the only exception being a microfilm and maybe an ISO 25-50 B&W film. You can add 45mp bodies like the D850 and R5 to the list of cameras that beat 6x9 because there is very little difference between them and 50mp in the real world. So little you can only see it at the extinction point of a line chart test.
tl;dr 45-50mp beats 6x9. It's that simple.
Now start acting like a child which is what you always do when you LOSE.
