Quoted By:
>How important has having a studio been to making your work?
SG: I remember firstly having the studio in 3 Colts Lane and of course it’s wonderful because this is a place where you make work, you think, you go there on a daily basis. Even on days when I didn’t make work I went there just to think. I like that there’s a separate space to process and think. But there was a time, in the early days of having a studio, when I thought to myself that when I was in it, it was a bad sign because I would much rather be outside making work where a lot of my early work was made. Only more recently has my work been a mix of studio-bound and walking and cycling. I suppose for ten years so much of my work was made by leaving the studio. It was just going into the studio, early mornings, maybe answering some emails and then by sort of 6.30 a.m. I’d leave again to make work and not check emails or take telephone calls. I try to keep the two things very separate.
