>>3916067I've done both commercial video and filmmaking. For the past eight years I've been using an H4N with a mid-level Rhode shotgun mic I don't even remember the name of. It's handled anything I've asked of it and I've never been tempted to upgrade. You could replicate my entire audio setup with less than $300.
Somebody redpill me on 32 bit float. I like the idea of near guaranteed safety, but is it that reliable?