>>3500578>there a shitload of stuff going on: reflections, ton of people in the background, suit's and lady's back as foreground, grace women and geometric motives on the glass and on the bus. all of those are good, but it doesn't balance out. for me there's a lot of ideas, but none quite work. Ok, now I see. Yeah, I tried to keep attention on the lady by using solely the light. Not sure if it works, after all.
>keeping in mind that i'm just some random fuckDon't say that, your opinion matters a lot to me.
>guy being on the left makes it look like you were too slow and missed the shot. generally negative space follow the person's gaze work better (unless there's a real reason not to). I like the hunched posture of the man, reminding the marionnette. i'd like to see the picture without decapitation, could look better maybe.Hm... I might have a second version of this photograph where the guy is in a different position.
(Ok, found it, pic related).
I guess I like his posture on the original pic more, though.
>black guy on door is on point. good contrast for me. weirdly distributed extras don't work as well. phone/bubble girl too interesting to be blurry. bag girl too boring to be sharp. not sure you could have done better, it's about seizing a moment, but that's what i believe doesn't work here.Yeah, it was a really quick snap. Didn't even have the chance to change the aperture.
>here i don't know, there's a nice interplay between the giant and the worker, with a nice hand gesture on the worker, but he doesn't pop out at all, so it kind of falls flat.I can try to work on that. Will see if I can improve the worker.
Thanks, glad you enjoyed it!
