>>2881820I'm going to remake my point from the last thread, and hopefully it will push this shit tier /fgt/ over the bump limit.
With 35mm consumer colour negative film, you can barely make good looking 8x10's most of the time.
With a 6x6 and up MF camera, you can get a clean, crisp, publication quality image on almost any film stock, in any picture orientation.
Here, I made a terribly simplified example of what "tonality" is and why bigger formats do it better. Film sizes on the left, theoretical enlargement to 8x10 on the right.
A plain greyscale with some colour noise on each format, then blown up to the required amount, vertically, at least.
It's not an exact analogy, because you're blowing up pixels, not film grain, but it's the same idea.
