>>2986003>>2986004>>2986006>>2986007Agreed, it's definitely important to have things to "push" your eyes back into the image. I'm a fan of using leading lines to pull your eye in and watching the corners so that they aren't awkward. Panoramics are very different to compose than other images by a long shot. I think the magic of motion in cinema does different things to keep you in the frame. For example, the hateful 8 image you posted would be awkward without the context of the movie and motion. I would would never place an outhouse all the way in the bottom right corner of a landscape image of Wilson Peak, but it does frame the movement of the scene and works well there.
