>>2889030Barely interviews. mostly events, conventions, festivals.
I'm not really pro right now. i usually just go to festivals n'shit and do as much and as good as I can. Consider it "portfolio material"
I also want to go to National Parks and shoot a few things about them.
The only faster lens at 25mm is the Voigtländer 25mm 0.95 and that straight up costs 900€, which completely blows my budget for almost a year away.
40-70mm (FF equivalent) is a standard video focal length. In video, especially moving/unscripted you dont have the luxury of perfect positioning. 50mm is good for keeping your distance and some moving space but close enough for sound. At 2-3 meters, you can get a person from head down to knees into the frame with some headroom to spare. At 6m, you get the full height of a room into the frame (around 3.2m). Fast movements shouldn't be able to escape out of the frame too fast, so tracking things becomes very hard at longer focal lengths.
It's kind of a sweetspot.
I really like the term "Fast Fifty" which is a 50mm equivalent lens with fast aperture.
The propblem with my 14-140mm is that it's REALLY slow and I rarely use the zoom for videos. It also seems to have some sharpness problems. I sometimes use it to get a decent foreground-background seperation, but a wider aperture can achieve that as well.
Picture is an unedited frame from one of my vids at a fair/festival. taken in 50mm FF-equivalent (zoomlens in MFT cam set to 25mm), in bright daylight
