>>4266069Yes, you're getting color from black and white every time you shoot color film - emulsion has photosensitive layers that are both filtered to certain parts of the light spectrum by color filter layers in between them, as well as specifically sensitized to particular parts of the spectrum (and then the color couplers in each layer and yadda yadda). Basically what the youtube dude or Prokudin-Gorskii over a century before him were doing, only compressed in a single film frame instead of faffing about with three exposures.
Here's a mind-bender: when you're shooting black and white you're getting b&w from color in a way - b&w film also has layers that are photosensitive to different parts of light spectrum, and balancing them is a huge part of the look of the film stock. Most are panchromatic (covering the full spectrum), but you have orthochromatic films as well that are eg. not sensitive to blue, that's because (bit of simplification here) blue-sensitive halide crystals were not used. And then there are some that claim to be pan but are really ortho as fuck, I'm looking at you P30 lmao
