>>3126281I've never bothered to photograph it and I can't be bothered now.
Imagine a timber box about the size of a CRT TV. Inside is painted white, there are two radio triggered flashes pointing 45 degrees down to the middle, and an LED lamp providing continuous light, for focusing and seeing what you're doing. It's closed on the front too.
There's a hole cut on top of the box, about iPad size, with clamps to mount diffusion material inside it.
On top of the box is an enlarger column, and nome rubber nubbins to sit a pane of glass, which is the film scanning surface, raised several inches above the diffusion panel.
On the glass, laid out in tape, is a track for the film, and a little cardboard window to mask either side of the neg, and give you somewhere to press down either side and hold the neg flat without touching it. Under the neg, in the track, I stick down flattened strips of foil to mask off the sprocket holes.
On the enlarger column there's an A7 with an FD50mm macro.