>>4317240>just buy an aps-c dslr and some kit lenses broPeople like you almost want people to quit photography
Or maybe, you wear cargo shorts and carry an IBM stinkpad in your murse, so you're not aware that normal people want more iphone and less IBM communicator?
Buying the original sony A7 or even a micro four thirds camera is a better decision than this. The best camera is the one you have with you. Nobody wants to carry a DSLR any more than the want to carry a 24-70 f2.8 on their FF mirrorless, and nobody wants to be seen with a DSLR either. They are genuinely ugly cameras and I hesitate to call you an artist if you care so little about aesthetics you would be seen with a plastic blob emblematic of disposable consumerist asian trash outside of a planned or studio shoot.
Oh, and M43 unironically outperforms outdated DSLRs, especially in the lens department. Your stop of noise doesnt mean shit, the lenses on m43 are way better than canonikon consumer trash aka DX lenses. So is the weather sealing, quality, and overall utility of the system.
FF MILC > M43 MILC > APS-C MILC (why do these exist?) >>>>>>>> DSLR
DSLRs are now bad enough that even leibovitz finally ditched her D810 - because she could use the same body for work and hobby shooting by only changing to the big lens (work) or the small lens (casual) on her sony.
DSLRs date from the era where having an ILC at all meant work and casual shooting involved a smaller premium PNS like a sony rx100 or a film compact (leica). Micro four thirds and fujifilm ended this era by bringing premium ILC capability to small cameras, and sony drove the last nail into the coffin. Now fun and work are separated by the presence of a big honking pro lens like an f2.8 zoom or a premium prime like 50mm f1.2.
