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>That leads on to a question that I was sort of going to save for later but it seems right to ask it now. Why is it so important to you that you touch everything that you make? Is it because it’s so personal?
SG: I can’t pinpoint it to anything. I really enjoy the tangible process of making something. Often it’s also not just the feeling of touch, I think it’s that it’s the touch linked to something – almost a frame of mind, kind of tuning or diving in. Sometimes I see it as almost a visual extraction where you’re not just using a camera to describe; it’s almost this extraction of what a place feels like and therefore I think the hands probably play a big part in that because you’re aiding the subject and that might mean the burying or collecting or the sourcing of objects. It’s an interesting observation, I haven’t really thought about that before.
"Boyzone"
