Hey Vincent! Good to see you back for a minute! Thanks for posting this set! It's some great scenery!
I think your compositions are great, which is pretty rare around this place lately, unfortunately.
I do think you're struggling with isolating your desired subject in the scene. Especially in the shots with the mountain behind the town. The town provides nice contrast to the mountains, but the way it's framed really makes it feel incomplete, and hurried. I can't see a better way to have done it, so I should say that I don't know how you fix it, but as it stands, it seems like an issue to me.
In the steam pipes photo, I didn't even notice them back there until you mentioned them. My eye was instantly drawn to the large snow pile, unfortunately. The geometry of the pipes is great, and reminds me of something that Gursky might be interested in, but as it stands, it seems like a cool feature in an otherwise unsuccessful photo.
A consistent issue I'm having with the photos is the processing. Your tones aren't making sense to my eyes, particularly why certain things are so bright, when others are so dim. In the OP image for instance, th esky is very very dark, but the water is almost clipping, and the mountain in the background seems like it might be almost sunset? It draws my eye to where you want it, but it seems overboard, because I pick it up as being unnatural right away, and it feels very fake to me. And
>>2626397, the grass in the bottom of the frame is clearly lit directly by the sun, and yet it's very very dim in the frame. It doesn't make sense in any way other than eye direction, and it doesn't look pleasant.
Also, I realize you've got a consistent color style going, which is good to tie all the images together, but some of the colors are looking pretty ridiculous to me. Particularly the greens in the grass. It's almost neon. The sky also looks pretty crazy and lazily processed in some of them (
>>2626409 for instance)