>>2668871Digital cameras are good at capturing information in the shadow regions, but have an upper limit on how much capture can happen in the highlights. If the dynamic range of the scene isn't too large, metering for your highlights (the sky, for example) puts your main scene in the shadows, but you can safely bring it back up in post (well, maybe less optimally with an EPL1).
It's the opposite for film; film excels in retaining highlight information, as the negative simply gets more dense. Meanwhile, poorly exposed shadows result in little "data" being recorded, giving you muddy details and grain in the shadows. Expose for shadows, let the film (color negative, specifically, slides a shit) handle the highlights even when it's 7+ stops higher than the shadows.
>>2669000Looks like a snapshit m8. You need a blank wall.
