>>3055936I like this one. Not quite as strong as the other two I think, but quiet. You get to sit with it a little bit. Less of a punch though.
That's fair on the distance, just keep in mind that a different lens asks for a different composition. When the edges are the same, all the components will have a different relationship to each other.
The ratio is really important. If you put the photos next to each other, it will become really obvious. and then that has to become a considered choice. A viewer, seeing that, now has to ask, why aren't these the same shape? Imagine a poem, where the formatting changed between stanzas. Why did it happen? If the artistic or conceptual purpose for it is not readily accessible, it will look like sloppiness. After all, as the photographer, most of what you do is set up the camera and hit the button. You are the only one selecting the frame and arrangement within the frame. Anything that makes it look like you made a mistake when you took the picture, like you didn't have it exactly right, will reflect poorly on the photograph. Everything about the frame must be intentional.
