>>3274077I’m not gonna share personal stuff on here but there are a few techniques I use. The best way is three points of contact - I usually do one hand on the body, one hand on the end of the lens and my eye up against a loupe. In addition to that the focal length is important - anything under c. 60mm equivalent will be fine, by above that you’re risking considerable shake. Around 40mm is a sweet spot where natural shake is minimal but there isn’t any wide-angle distortion, and combining this with a wide aperture can get you some nice, pretty close-ups. Also getting the weight right is key - in effect, you need a rig which is heavy enough to dampen natural levels of shake, but not heavy enough to cause extra shake. Factor in weight distribution as well - a heavy body with a light lens will give you more shake than a light body and a heavy lens.