>>3606668No problem. Also yes, the empty field from that angle has nothing going for it.
>>3606670What do you want the viewer to pay attention to in this photo? The door/hallway? The TV? Or the butt? Right now it's not telling a coherent story. I would've had the female subject sit in the hallway facing the door (as if she's watching tv) while having the TV to her right side. Just a bullshit example, but at least it would make the viewer think. Or maybe have her sit right in front of the TV like a kid, while having the TV turned off. IDK, it doesn't matter, but you get the point -- you have to draw interest from the viewer somehow.
>>3606673Snapshit, horizon is not straight.
>>3606674Take 20 steps back and get rid of that person.
>>3606680Snapshit
>>3606684Would be decent if it's in focus (a lot of your photos aren't in focus for some reason). Top right and bottom right corners are also distracting.
>>3606704Snapshit
>>3606708There must be a better angle/composition. Needs work, but okay starting point.
>>3606709Same as above.
>>3606712Should've parked the car in the middle of the road, with its front wheel in the pothole. Again, tell a story. Too dangerous? Maybe. But as a photographer that's the kind of shit you need to do to get to the next level.
>>3606729Snapshit.
>>3606731Snapshit.
>>3606735Waste of film.
>>3606737Good idea, I see what you're going for, but the execution is lacking.
>>3606743I kind of like this, though I would've gone wider. Or if you want to show the claustrophobic nature of factory farming, I would've taken a vertical shot of a cell, facing the little window. Or perhaps step right into one of the cells, and do a center shot, while using the repetition of the railing to convey your message.
>>3606744Decent. Good composition and good exposure. Your next challenge: create a story, or bring a friend with you next time, and have them do something.
>>3606749Snapshit.
>>3606752Snapshit
>>3606822Snapshit
