>>3679137Not that anon
Street photography haven't been relevant from decades now. You rarely see it any galleries showcasing street photography or in published photobooks. Because this genre became way too oversaturated with repeating old styles, cliche images, poverty of narratives and lack of experimentation. There are also some ethical concerns and skepticism about it's content too. Also the term "street photography" is vague and meaningless even Garry Winograd had a problem with this term.
Contemporary photography world is closer to the medium roots such as documentary, surveying, investigation, working with camera obscura, experimentation etc. The concept of single image or a "banger" is almost nonexistent in the art of world of photography and almost every "serious" photographer today works in projects.
As that anon mentioned
>basically only enjoy nature photography with some new topographics thrown in.He's not interested in human subjects.
Calling this type of photography boring after looking up the names of these highly influential photographers and staring at the google top results for few seconds is a pretty fucking ignorant attitude. These photographers worked/works in print and projects. See this your problem endless scroll of social have fried your brain. Slow down and spend sometime with these books just like you do with music, literature and cinema. I don't care if the photos were shot on a ccd or 8x10 camera. Only artwork matter in end
You can start with these photobooks
>The Pond - John Gossagehttps://youtu.be/SJsQBLakfIc>Robert Adams: Summer Nights, Walkinghttps://youtu.be/1lJN0yQuK94His most influential book is "The New West: Landscapes Along the Colorado Front Range". But I can't seem to find it's scans or flip through on internet.
>Jasper - Matthew Genitempo https://vimeo.com/306178969Also reading the introductory paragraph on internet about these can give you the context which is a very important part of documentary photography.
