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Quoted By:
>A pillar knocked into the ground next to a stream in a flat, open landscape, trees and houses visible in the distance, beneath a vast sky. That is the backdrop to all of Stephen Gill´s photographs in this book. We see the same landscape in spring and summer, in autumn and winter, we see it in sunshine and rain, in snow and wind.
Photobook flip through(I know this tiny awkward angle doesn't do much justice with the book but it's better than nothing and I will try to post most of the post that I have found on the internet).
>https://youtu.be/wKz-vT_7NL4
If you want to read the essay which is in the book:
>https://www.newyorker.com/culture/photo-booth/karl-ove-knausgaard-on-stephen-gills-bird-images-in-the-pillar
If you want to read a good review:
>https://americansuburbx.com/2019/04/stephen-gill-the-plentiful-pillar.html
Photobook flip through(I know this tiny awkward angle doesn't do much justice with the book but it's better than nothing and I will try to post most of the post that I have found on the internet).
>https://youtu.be/wKz-vT_7NL4
If you want to read the essay which is in the book:
>https://www.newyorker.com/culture/photo-booth/karl-ove-knausgaard-on-stephen-gills-bird-images-in-the-pillar
If you want to read a good review:
>https://americansuburbx.com/2019/04/stephen-gill-the-plentiful-pillar.html