>>3916186>>3916182>>3916188I'm down for either to be honest. If its flash I'm curious where it was placed. Look at the shadows. If the keylight was on axis or close the awning wouldn't be shaded from above. I kinda copped out and said it was long exposure (say 3-4 sec @ISO800+) with a pop of speedlight fill (on axis) using a streetlight/moon as key.
Was the keylight a big strobe? I dunno. Look at that shadow on the awning. It means there was 'small' light, distant, high and camera right. Was that a speedlight, streetlight, moon in long exposure? I'm not CSI. If you say you can tell with 100% accuracy, cool bro. Exposure wasn't long enough for leaves to blur but enough to get a bit of the sky at whatever ISO he was using. Then there is bracketing and shit. I don't do any of that but did he shoot and stack? I just wanna see what the photog says about it as he seems to use a number of approaches.
I didn't say I thought it was only a streetlight. I literally said:
>I'm not saying this is 100% practically litI never said all light in the scene is coming from 'practicals' i.e lights on location. Is there some fill flash? Maybe. Is the key light a speedlight on a lightstand high up? Maybe. If your CSI goggles can tell exact settings and light placement, amazing. I can't.
I know it isn't a continuous HMI or cine-spotlight that's for sure. The dude looks like a run and gun shooter. A lightstand and nice speedlight/strobe in his trunk, sure. A generator and crank-stand? No. Esp because it was shot at such a high ISO. Maybe its a difference with terms but pic related is what I think of when you say 'floodlight' (more than a parlight but I don't know all video lights). I don't think it was taken with a big continuous light like that. Maybe a monobloc or strobe, but those big spotlight are heavy and need giant stands and power.
