>>3954229Doesn't fit the vibe of the rest of the series bc it's too normie. The contrast of the dark tones of the outfit and the lighter tones of the stairs is great. This is the most boring of the series tho.
>>3954230The lighting is great. I'm not sure how i feel about the door frame on the left. I really don't like or get her pose. Needs to be more dramatic given the whole makeup streaking to match. Like her face isn't doing anything.
>>3954231Concept and framing is great but the neck and arm positioning, as well as the item positioning, very much look stashed. A good tip is to get her to go limp, then lift her by the arms, move her slightly, and set her back down again. If she gets into the pose by herself it won't look natural.
>>3954232The framing is great but i do wish there was some more light on her (esp upper body). If there was more light behind her the silhouette would work better. As is i think the shot is perfect if she wasn't there, but she's not integrated as well as she could be.
>>3954233Great framing, great macro pose, great lighting, but again the face is kinda blank. A short cut to getting a distressed face is to have her hold her breath for a while. When you do that it makes your face slightly more active.
>>3954234I'm only getting call girl vibes from this model in this shot. Maybe that's the story here and if so you nailed that one.
>>3954235Vibes are ok. If you're open to wider crops this is a prime candidate. You'd have to get lower to the ground and rotate yourself around the model counter clockwise to extend the horizontal length of the shadow.
>>3954238This is the one. Everything just works. Seems like everyone else agrees. Did you shoot with this crop in mind? Love love love the soft tonal gradient. Really getting an "otherworldly" vibe.
>>3954239Fav #2. Nailed it on this one. I wish her hand was more tense like she's trying to claw her way "up".
Love seeing how much more experimental you are now.
