>>4046376don't take it personal but it's as wrong as it gets
> she's along the baroque diagonalwhich is usually transmits a very uncortable feeling;
most commonly associated with at least 2 figures in scene, one overpowering the other
it's very undelicate
> very strong cyan/orange castwhich is nauseating
> shoot from below, at slight anglewhich only drives attention to the underneck, not flattery unless the model has very marked jawline and cheekbones
> too much contrast, too much recovered shadowsportraits are all about not revealing every details, leaving it to be filled by intuition
that's how you deal with assymetries, veins etc
if you rotate that pic 90 degree to the right, and neglect the background, you'll notice that her pose is very attractive nonetheless so it's more of your fault
keep processing as simples as you can, try shooting b/w with a lightly yellow/orange filter or somethng the likes
you get to pay attention to the person you shooting and how she's looking in frame
later you'll learn how to deal with colors
last but not least i can fap to this