>>4061498One of the best ways to mix things up is to change your focal length, for example, go ultrawide and distort that dramatic perspective. Or go telephoto and flatten things into an abstract design game. Push yourself. Try shooting things headon, instead of just 'look ups'. Try nailing a symmetrical shot (harder than it sounds).
TL;DR Fuck about with things
>>4061512>best form of defense is attackThank you and look what /p/ has done to you kek. I feel you though <3
>>4061513Classic Bort. Technically perfect in every way. Do you ever fuck with the tones so they don't correlate with real life? I know it's not your style, but am interested.
>>4061681I like it, the elements of a great shot are there, but the way you have composed it with the spire dead centre more or less leaves it feeling static and uneasy imo.
>>4061695Agree with Bort. Also your sky is a bit fucked up and the cars add fuck all. Needs moar intent - feels like a serendipitous snapshot.
>>4061700Lovely light. Get the duality of man and nature but the composition is lacking, like the tones and idea however.
>All I can see is that edge where water stains the underside because they didn't put a drip edge B-|It's PATINA!
>>4061849<3
Fav shot so far. Love the different layers and BW conversion. Shadow play is sublime.
>>4062428Bort, everything is good...except the saturation and some of the tone mapping. Sky is far too overcooked for me and adding that much saturation to rust just feels wrong.
