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-A Conversation Between Two Worlds-
by Gavin Mclnnes and Olivier Zahm
No art book would be complete without an analysis of the work by an erudite art critic. Since Terry Richardson is unique in his ability to take high art to jaded teenagers while simultaneously forcing the fashion and art elite to appreciate the dirtiest shit you’ve ever seen, we selected critics to represent both sides of the Richardson enigma.
In this corner we have the irreverent and retarded Gavin Mclnnes of New York’s Vice Magazine. His cultural opponent is the sophisticated Parisian editor of Purple Magazine, Olivier Zahm. Can a conversation between these two learned academics help us understand the genius that is Terry Richardson? Read and decide.
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Gavin: One of my favorite things about Terry’s photos is the imperfections. I like seeing a zit on a girl’s ass. I think everyone does. It reminds me of that Thomas Jefferson quote, “There is not a truth existing which I fear, or would want unknown to the whole world.”
Olivier: Because Terry is shooting in an instinctive, immediate, almost physical way, he catches the smallest detail as a force, as a proof that you cannot control life. His pictures demonstrate how life and desire and sex are stronger than the typical visual construction the fashion industry insists on. The fact that he is working for this very industry adds another crucial layer. The imperfections in his photographs help take down the standard of glamour and high fashion. But more than imperfections, to me, one of my favorite things in his photos is the perfection of the frame: he is cutting the reality in a sharp, definitive, brilliant line, extracting the moment and movement of life from its vital flux. This is brilliant and unique. No other photographer is sharper in this sense.
