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Quoted By: >>4191485 >>4191521 >>4191528 >>4191867 >>4193136 >>4193527 >>4195049 >>4195270 >>4197562
Film General Thread /fgt/ - get in here
Pentax edition
A thread dedicated to the discussion of all things film and film cameras
Previous >>4186411
/fgt/ daily reminder (courtesy by anon): one stop per decade is (generally) bullshit
>negative film ages better than positive
>black and white better than color
>slow films better than fast
>storage conditions (dry/cool) matter more than years
*repeat again*
>storage conditions (dry/cool) matter more than years
>Negative film is shot 1 or 2 stops overexposed and then PULLED in development so that you build more density in the exposure and develop less such that the fog is limited
>slide/positive film is shot at box speed or overexposed and pulled.
>if you home develop you can also use benzotriazole as a restrainer for the the first developer in E6 process
useful links
>[massive dev chart] gives times for home film development
https://www.digitaltruth.com/devchart.php
>[film dev] shows results of development regimes
https://filmdev.org/
>[news & community links]
35mmc.com
casualphotophile.com
kosmofoto.com
emulsive.org
japancamerahunter.com
>Thread Question(s)
You have your (film) camera of choice: your ideal lens is - a) vintage glass from before the time your camera came out; b) glass from the time your camera came out and designed for your camera; c) shortly thereafter when glass has improved but is still compatible with your camera; or d) modern(ish) glass for a modern(ish) camera that is still compatible with your camera?
Pentax edition
A thread dedicated to the discussion of all things film and film cameras
Previous >>4186411
/fgt/ daily reminder (courtesy by anon): one stop per decade is (generally) bullshit
>negative film ages better than positive
>black and white better than color
>slow films better than fast
>storage conditions (dry/cool) matter more than years
*repeat again*
>storage conditions (dry/cool) matter more than years
>Negative film is shot 1 or 2 stops overexposed and then PULLED in development so that you build more density in the exposure and develop less such that the fog is limited
>slide/positive film is shot at box speed or overexposed and pulled.
>if you home develop you can also use benzotriazole as a restrainer for the the first developer in E6 process
useful links
>[massive dev chart] gives times for home film development
https://www.digitaltruth.com/devchart.php
>[film dev] shows results of development regimes
https://filmdev.org/
>[news & community links]
35mmc.com
casualphotophile.com
kosmofoto.com
emulsive.org
japancamerahunter.com
>Thread Question(s)
You have your (film) camera of choice: your ideal lens is - a) vintage glass from before the time your camera came out; b) glass from the time your camera came out and designed for your camera; c) shortly thereafter when glass has improved but is still compatible with your camera; or d) modern(ish) glass for a modern(ish) camera that is still compatible with your camera?