>D'Amore's Impact was stable in terms of reliable paydays and treating the talent with respect
>BUT it was boring, not hot angles and the production value on the show sucked
>TV production, creative booking, and live event booking were all helmed by Scott's buddies: John E Bravo, Dave Sahadi, Sign Guy Dudley, Tommy Dreamer
>Scott openly encouraged talent to treat the company as a stepping stone for a better deal elsewhere
Is it any wonder that Anthem canned him? They spent money trying to monetize a brand that's had 20 years of content with some level of name recognition around the world, and he's running it like his hometown indie
