>>5963944>>5963988>>5964217>>5976534>>5996953>fictional girls>take inspiration from real life? (no)I have been watching these relationship dramas and absorbing these screenplays and my conclusion for hot romance scenes, you must adhere to this one overriding all-encompassing principle:
NEVER TOGETHER EVER AFTER
You must NEVER let the girl and boy get together and be happy and consummated and fulfilled.
They can share a brief fleeting moment of bliss but then they must be immediately sundered and separated forever.
Even if they couple, you must immediately UNLEASH DISASTER; see Joss Whedon sex-death psychotrauma guide here
>>5984278for a formula as to how to deliver this; a reliable method is "AFTER THE SEX, NOW I MUST KILL YOU" (pic related here
>>5984673 )
The romance MUST BE TRAGIC, DOOMED, make the romantic counterpart THE WORST CHOICE for the girl, the most antagonistic personality traits, the maximal incompatibility / conflict / love-violence.
An example of this from the episode 1 season premiere of The OC (poor troubled rebel youth suddenly welcomed into home of wealthy Newport Beach residents, there is an attractive unattainable girl) this is essentially the same plot as Charles Dickens Great Expectations.
>>5976525 ie difference in status rich/poor background etc.Another example the romance of opposites Buffy/Angel vampire, vampire slayer: Angel turns evil after sex? This sounds like that Chapter from Tess Of The D'Urbervilles, where Tess confesses a past adulterous indiscretion to her new husband Angel Clare, he basically also committed a similar adulterous liaison himself, but hypocritically spurns his newly wedded wife after she unburdens herself to him on her wedding night
This is the secret to all infatuation: ENDLESS PAIN and torment.
By doing this, you will ensure that the audience obsesses incessantly as to WHAT COULD HAVE BEEN...?? IF ONLY THEY COULD BE HAPPY TOGETHER...?? until the end of time. This is the secret of all romance, suffering