Quoted By:
>TOMORROW GIRAFFE, Employee A to Entertain with GIRAFFE. Talk to it about the stars and what you know about them.
>Ask Guy to first tell you about what happened with him turning into a copy of the thing, both before and after, before you go in for this work. Don't space out in there!
Employee A is staring mindlessly into the pipework, tracing endless spirals and shapes as each segment curls and intertwines with one another like the mating of worms, the curling of guts, like lovers' fingers, like-
You've seen this situation before, so you hurriedly type in the work order before you can get sucked in yourself.
<span class="mu-i">beep</span>
"Ack!" Aleth starts, with an uncharacteristic embarrassment. "Chrissake, give me a moment, will you..."
Aleth reads the work order then strides over to GUY, who is leaning against the wall with his head hanging. Some sort of headache?
"Hello yello," Aleth says. "Listen, Agent, I need your brains if you got any. Tell me about the giraffe and that little transformation sequence you had."
"CAN'T SPEAK, AM BRAIN DAMAGE," GUY violently spits out.
"What?"
"INK BAD, KNIGHT BAD, HAS INK IN HIM, IN SWORD. BRAIN DAMAGE. POISON." GUY stops talking, takes his PDA, and taps on the screen. Aleth gets the hint immediately.
PM Agent GUY - Employee A
GUY: The bug knight's ink is poisonous. The sword spills more ink from the tip. I'm not sure if the ink is a natural part of the knight, or if they're related at all.
A: Was that what happened to your arm?
GUY: He stabbed my arm and injected at least a dozen gallons of ink into it. I had to chop it off before my body could absorb the stuff.
A: Do you still have the arm? I could study it.
GUY: Does it look like I have my fucking arm???
A: Right, right.
A: Just tell me about the giraffe and the transformation thing then.
GUY: I didn't even know I became a giraffe, man.
GUY: I was just finishing up with the little stars, then I heard almost a voice, more like a feeling, that asked me "You want to take a break?"
GUY: So I said yeah, then I was looking around the facility all of a sudden, like I was watching a movie in the third person, omnipresent.
A: Omniscient.
GUY: Yeah, that.
GUY: It wasn't disorienting or anything, it felt completely natural like walking or acting purely on muscle memory. You don't think about things like that in your everyday life until you're asked to.
GUY: I heard that sunglasses chick mention me offhand in the break room, then I turned my head and saw that tall lady and the gay guy in that control room BB was talking about. (You almost spit at the description.)
GUY: Then, I tiptoed over to the edge of the room and started looking at the City Herself in this "superperspective," the lights on the distant horizon, the depths of the ocean, the loom of the silhouettes of buildings like sleeping giants under
A: Alright, I get the picture. Bird's eye view and all that.