>>5938211>>5938340>>5938349>>5938459>>5938488>>5938791>>5939376>>5939466>>5939542>>5939644Everyone else is settling down for the night, but you’re suspicious of what Shota is doing. You decide you’re going to go tail him to see whether or not he’s getting up to any funny business. You exit your room and climb up on top of the roof so you can get a vantage on the streets. Akimitsu loudly sighs as he watches you go, and Naoki let’s out a little chuckle.
It was somewhat late so there weren’t too many people on the streets, and Shota had just walked off, so it shouldn’t be too hard to get a bead on him.
You quickly find him, and almost as quickly ascertain that he’s definitely being suspicious; The man is keeping to the alleys and dark areas as much as possible, and keeps shooting looks over his shoulder to make sure he’s not being followed. Of course, civilians don’t normally look up, so following after him on the rooftops isn’t very taxing on your ability to shadow the guy.
You watch as this large, strong guy nearly jumps out of his skin because a cat meows at him, before he quickly speedwalks away in a fidgety, nervous kind of manner.
Dead to rights!
He’s up to something for sure!
You redouble your focus, hovering over him with the laser precision of a hawk watching a mouse that’s going to die within the next few seconds.
You see shota nervously approach a nondescript door, shoot another glance or three over his shoulders to make sure nobody notices him, and then gives the door three quick knocks. A figure you can’t make out from your angle opens the door for him and lets him in, Shota quickly scurrying inside like he’s got something to hide.
The building really is pretty generic. It’s hard to tell if it’s a residence, a business, or what. It’s free standing, so unless the building is connecting to some kind of tunnel system that leads elsewhere Shota isn’t exiting without your knowledge.
You stake it out for a significant period of time. The windows are curtained and seem to emit very little light. Candlelight, if you had to guess.
You don’t know what kind of den of villainy this place is, so you opt against just entering through the front door like Shota did. It would be too direct, it would cause a scene and immediately bring whatever dangerous situation this is to a boiling point.
That in mind, you leap to the roof of the building, grip the ledge, and gently lower yourself down in front of slightly ajar window. Leveraging the window open just a tad more, you slowly, slooooowly peer inside to get a look at what’s going on.
Alright, there’s Shota, he’s in the nude over a half-dressed woman who’s-
