>>5175200Luna is inexperienced, and has a bit of a temper, but she is deferential to harsh corrections and acts and speaks like someone with something to prove; she can be shaped, with a firm enough hand, and while she cannot dance especially well, she has a strong sense of rhythm.
Aubrey is insecure, but covers it with good humour; she is not an especially good dance, nor does she have much inherent rhythm, which leads to a fairly lacklustre response to her debut on stage.
Didiane, as might be expected of your previous observations, has great poise socially and kinaesthetically, proving the best at working her body and working the crowd; however, back-stage you observe her to be somewhat condescending and standoffish with the non-human (or part-human) girls of The Pretty Kitty’s staff, while being almost obsequious in how she ingratiates herself to the humans. You sense her racial discomfort, especially with the quarter-orc Grendelia, and you recognize the beginnings of an attempt to consolidate a clique even on her first night.
All three of the Goldenrod Girls seem eager to foist ‘lesser’ responsibilities onto serving girls or those prostitutes who do not dance, and each seems prone to gossip (though Luna is least so). You note all this and, before you make your escape, you report to Mina your recommendations:
>The new girls should be given dance lessons, to make sure they are up-to-speed with the existing staff, but they will be fine members of the team>These girls are not going to be natural fits for the exotic dancers of your existing team, and are probably better suited to serving and sex-work>These female are of lower quality than you had hoped—once Goldenrod has been bested, they should be let go>Write-in[Feel free to specify a different answer for each of the three as well]
