>>5693674>pryHis eyes focuses on the fourth floor’s shutters. His fingers closes.
As he fixates on the destination, colors are disappearing from the world. Noises of the world becomes muted, and time slows to a crawl.
>21 & 16 vs DC 14Sira appears on the shutters of the fourth floor. His fingers clings to the roof and the tip of his feet remains steadfast on the wood.
A single swipe of his toes makes them swivel open. He waits for a brief moment incase there was a servant who was on the same floor.
There wasn’t.
With the coast was clear, he fades back to pick up Dao and enter the interior of this building.
Rows of exquisitely detailed paintings and finely polished walls greet them. If this hallway were placed in an art museum, no one would’ve questioned it — a testament of his taste and financial status. This would have been quite the serene place if the two visited it legitimately.
Rather artistic depictions of warfare or scenes from religious scriptures, the second target is interested in accurate recreations of history.
"Fencing with the tessak" depicts two nude fencers, a common trait in Calfsteppe combat manuals, mainly to illustrate the anatomy.
Interestingly, the single edged saber and the right fencer’s posture are not native to that country — the weapon comes from Northway while that posture is from a combat manual in the free imperial cities. Such minute details is unknown to most people, and the hallmark of people who study under multiple weapon systems.
