>>5853942Recently I watched another Michelangelo Antonioni film, Blow-Up (1966), I think this film was not actually as good as L'Eclisse (1962). The England depicted in this film is almost unrecognisable lol and there are some moments which felt too casually misogynistic even for a 4chan audience. L'Eclisse had some amazing Italian stock market scenes, whilst this film depicted a fashion shoot, an intricately detailed photography dark room film development process, rock concert and guitar smashing, some form of motif for erasure and the disposability of crazed audience desire and maniacal fascination. The central story is left unresolved in the film (which concerns a fashion photographer who believes he accidentally captured a photo of a possible murder, only to later discover all evidence of it is erased) and in fact it contains an early analogue lo-fi proto-depiction of the celebrated Blade Runner ENHANCE scene, hehe
