Quoted By:
Many questions rush through your head about what exactly just happened, but one thing is for certain, you can’t stay put after hearing all of this. You must do something. First, you need to find a way to contact your not-so-good friend Esperanza, who is a good friend to your mother for some reason. How does that work? You have no idea.
You stare at Philonune and Naiad for some suggestions, both entities don’t know what to do to help but are willing to lend a hand. You turn to the useless duck standing next to you, and get nothing but honks. Yeah, this won’t be easy, every time you talked to Esperanza was either a coincidence or because she was looking for you.
With no plan in mind, you step outside and… well… wave at the sky. It’s dark. There’s no way she’ll find you like this. You wish there were phones like in present times instead of this instinct bullshit that doesn’t seem to work when you need it the most. Not even wishing for contact with all your might makes a difference, Naiad can’t work with these feelings like she has done on other occasions for reasons beyond your understanding. Though, this feels like you have tried nothing and you’re out of ideas already…
Except for one. There’s one thing you haven’t tried…
“ESPERANZAAAAAAA!!!” You shout from the bottom of your lungs like you’ve never screamed before.
Neither Naiad or Philonune were expecting it.
You wait a moment for results, but get nothing.
“Quackquackquack…” Dorothy is smugly quacking at you.
“Do you have a better idea, birdbrain?” You raise an eyebrow.
“Quack.” Dorothy is on the case now. She climbs to the top of your head.
…
…
“Quack.” Dorothy quacks again.
“You’re useless.” You take the stupid duck off your head.
“Q-Quack!?” Dorothy is offended. “Quack! Quack! Quack!” Dorothy demands to use the Ouija board again to tell you her idea. Then why did she climb up?
You need ideas…
>>What do you do?
>Tell Naiad to fly up and make a signal for Esperanza to pick up.
>Hear Dorothy’s idea and execute it.
>Ask Kobashi and Fiora for ideas.
>Shout again, but with more intent.
>Write In.