This is it. Now looks like this, but this afternoon I'll dust it with some new technique that I read made by mig Jimenez. Either I fuck it up, which would be more of a loss of material as enamels and pigments are relatively easy to clean up the mistakes, or step up my weathing game. Kinda nervous of how it will end, also I should buy a mask because airbrushing enamels doesn't sound really healthy.
>>5848273Pigments by own nature will ALWAYS look different when they are wet, there is no way around this but it shouldn't bother you much either way.
To fix them (they will look darker while wet in all listed below) you can use from more recommended to less:
>white spirits/enamel thinner>mate varnish diluted a bit with airbrush thinner>mate varnish>alcohol/water (this only if you are absolutely sure you or anything won't touch the area never ever)The reason I listed pure varnish below a thinned version of it is because it's more thin (obviously) and never will leave a "clutter" or add too much volume.
The white spirits/enamel thinners is the best, atleast for me, for the flexibility to work with other enamels with pigments and allowing surfaces to be scrubbed with a sponge without problem.
There are also "pigment fixer" liquids but those are rather useless I think as there are cheaper ways to fix them. But this comes down to personal preference I guess and infrastructure