>>11100199If I had all of those figures in front of me with those exact same tools (the guy seems to have a decent setup for varying levels of elevation in the display) and I was tasked with actually making a good looking setup instead of just fucking around for fun, id probably start off by focusing on the flow of the general composition rather than hyperfocusing on the specific poses. At least I personally think displays like these look way better when theres inherent asymmetry in the composition since it gives off a much more living/ energetic vibe rather than trying to have your cake and eat it too by basically displaying each figure as their own entity in a group piece like this
If Wolverine has to stay in the center (since he isnt a bad centerpiece to begin with) id probably start off by using his rage as as an element. Something like pic related would honestly be pretty spot-on although you could go even more intense, then build everything around him like an explosive featurette. You could easily counterbalance him by having Deadpool do an almost identical but even more blatantly comical/playfully gay pose at his feet/ basically right in front of him (more dynamic perspective in the collage) and then start figuring out how do all the others fit in
Iron-man could also work extremely well as a centerpiece for the display because a more calm/ calmly threatening slightly neutral "lazy arm blaster" style pose works well for him at an elevation where you can basically put him in the middle but above other characters, with more dynamic stuff like the webslingers and more acrobatic figures doing all kinds of shit all around him. These are kind of overly specific ideas rather than posing advice of any sort, but im mostly thinking about general vibe and energy rather than trying to give space to 100% show off each individual figure, while hopefully not turning the display into a confusing mess either. The biggest strenght of toys is the 3D aspect
