>>26816332Favoring some elements of the design is necessary in all tasteful works of art, and while contrast is not bad per se, if we have multiple contrasting elements that rather than bring a single or a few elements to the forefront, like i said, compete for the viewers attention all at once, then the contrast becomes destructive.
And that is what I mean by blending and muddle. Having multiple parts of apparently equal importance or significance in regard to an art can only muddle the actual impact of the design. When I referred to the muddle, I refer more abstractly to the actual conveyance, the representation to the viewer, of the full image of the Greninja, which, with no parts isolated in conjunction to the elements each different in meaning and yet trying to obtain sight of the viewer, causes a paradoxical muddle of clashing elements that each neutralize each other or refuses to compliment its contrasting element by not, with altruism, move to the background and let a single common theme prevail in the ninja.
Think of a mixture of milk and cola. While both can mix together to form a miscible solution, each, with their equally potent and sweet, yet ultimately contrasting tastes by subsidiary flavors, will attempt to drown each other out and ultimately end up with a taste in the mouth that lacks either tasteful or textured element of the ingredients, muddling each other in direct hostility to each other.
