>>58561890>>58561920Thanks!
I use a Huion tablet monitor and a slightly outdated version of Autodesk Sketchbook. I'm always fiddling with my brush settings and I've wound up with like a dozen slight variations on the same basic soft round brush for different purposes. The ones I tend to use for sketches like that one are intended to strike a balance between being light enough to sketch with (like a hard pencil) but still dark enough to do lines with (like a soft pencil) just by varying the pressure. I try to keep it simple, so I don't do anything special with pressure curves or sensitivity (e.g. at the driver level). The only sliders I really touch are:
>min and max brush size (pressure-based)>min/max flow (pressure based)>stamp spacing>edge softness/sharpnessNote that "flow" here is different from "opacity" in the sense that opacity limits how dark the brush stroke can ever get no matter how hard you press or how many times you go over the same pixels, whereas flow does almost the same thing except that going over the same pixels will add more darkness each time (like a real brush would). I've heard that other art programs might swap those terms around or have slightly different definitions for them.
It's hard to give a recommendation on what to use in terms of exact settings, since the same settings will yield different results depending on your hardware, your driver settings, which program you're using and how it handles brushes, and how much pressure you put into your brush stroke at any given moment. Pic related is the brush I used for that lopunny picture. Like I said, I often tweak the values a little bit, so these numbers will change sooner or later, but if you want a starting point, try these settings.
I highly recommend making your own custom brushes and tweaking values one slider at a time to get a feel for what changes and how. Doodle circles and gradients at different pressures, doodle hair curves and whatnot, try to simulate drawing normally.
