Is this fucker retarded? Firstly, it's D#dim, not F#dim, so he clearly has no idea what he's talking about. Secondly, D#dim to Emaj is the perfect progression to end off the loop.
>it feels a bit anti climactic to move from a diminished chord to a major chord
What in the actual FUCK are you talking about? vii° - I is a textbook cadence, and anyone who knew ANYTHING about music theory would know this. Why the fuck would it resolve to the relative minor in a track that's supposed to feel short and triumphant?
I hate retards like this who confidently spout big words they don't understand to make themselves look smart. You know nothing.