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Quoted By: >>108849539 >>108858882 >>108861841
Long-time Holofan here, I was shocked when I found this out.
I always thought that the backstage, the talent + talent interactions, showed a uniquely friendly and welcoming and equalizing dynamic between two talents.
Turns out I was wrong.
You think Nijisanji is bad? Just watch this video:
https://www.youtube.com/watch?v=cGbsJKagGWQ
To summarise,
>Ina logs in to see herself standing behind Pekora
>Ina tries to scare Pekora from behind
>The way she does it is by doing meek and awkward sounds
>Pekora turns around and is confused by what was happening and professionally plays it down and leaves
>Ina apologizes like a cuckquean
What we're observing here is a clear top-bitch vs. bottom-bitch hierarchy.
Ina, a literal who of the EN variety, is treated like a stranger by Pekora, the golden goose of JP.
If you ever wanted a sign of how bad things really are, here it is.
I always thought that the backstage, the talent + talent interactions, showed a uniquely friendly and welcoming and equalizing dynamic between two talents.
Turns out I was wrong.
You think Nijisanji is bad? Just watch this video:
https://www.youtube.com/watch?v=cGbsJKagGWQ
To summarise,
>Ina logs in to see herself standing behind Pekora
>Ina tries to scare Pekora from behind
>The way she does it is by doing meek and awkward sounds
>Pekora turns around and is confused by what was happening and professionally plays it down and leaves
>Ina apologizes like a cuckquean
What we're observing here is a clear top-bitch vs. bottom-bitch hierarchy.
Ina, a literal who of the EN variety, is treated like a stranger by Pekora, the golden goose of JP.
If you ever wanted a sign of how bad things really are, here it is.
