>>48211860Enter the "Shock Collar YLYL" segment except not for Lia but instead for the Likers. The careful psychoemotional conditioning of the morning activities have effectively primed the "committed" into the full blown Lia experience. This is how Lia turns the viewers own emotional response into a shock collar, creating deep emotional responses, for the sake of teaching the viewer but also for the laughter of her own inner circle (no hard feelings/god you're pathetic). Lia starts to fall apart on stream now giving that slight push into emotional free fall for the properly conditioned. There is a slew of referential content to dig at the user here. The first being the "Empath Queen" commentary of her twitter post failing the viewer for having any emotional response to the chuuba in the first place with the playful Queen dig layered on top. This "quiz" content itself referencing back to the Uke/Seme quiz that primes the entire Top/Bottom unseen inversion of the power dynamic. Lia is in control now and rapidly pushing the slow breakdown. It's beautiful in the way only the kind of carefully cracked menhera like Lia can muster. Promises of alcohol create their own subtle commentary on the social ritual with a beautiful depth of reference to her previous "drunk streams" the Mii-chan inclusion earlier "enough with this behavior" it's own shorter reference to the classical cover of "chat encouraging viewer to behave badly". In the same temporal recall Sex Cat from the past intones "Hot" and Lia really starts to turn on the emotional works. The depth of flavor surrounding the entire experience is outstanding with Lia gradually transitioning into her big teary eyed Karaoke finale. There is a self referential moment in her choice of first song for the set. "The Feels" This is what Lia is really offering the crowd at the moment giving them the full on barrage. Live Twitter updates
>>41570564 of double speak saying one thing that doesnt need to be said to denote the inversion. There is a claim to the blame perhaps speaking of the mirrored consequence of the viewer's own actions for knowingly getting invested in Lia to the point where her own projected emotional state can illicit a response in one's own. Second song suicide hit. This is where the shock collar really starts to go off. There are two instances earlier in Part 5. The more important to the overall arch being Lia's use of "keyfabe" giving a subtle tell to the constructed narrative of the events that are currently happening. To better make this point she uses "keyfabe" again with no use of the proper kayfabe to make sure the point is driven home. More importantly to the next moment is the shock collar setting comment "8-9" is too high which is precisely where Lia is about to push things. Suicide song ends with a pitiful moment from the performer, all the intonation and cadence crumbling apart as she allows despair to really grip her. In this moment the Pippa x Lia solidarity is realized. Lia performing Pippa's own words "sometimes I think the thing that would excite you most is if I killed myself on stream" there are agonizing moments of silence from Lia after a pitiful noise. The carefully conditioned psychological prongs are thrumming with energy discharge now. Lia lets the viewer sit in that moment for awhile before launching back into her setlist. There is some other songs being presented but what is most notable is the quality of Lia's voice coming to life for the first time. A beautiful showing of what she's capable of. Then there is more soft disclosure of the kayfabe with a dip into the Needy Streamer Overdose track. Back to big booming Lia voice stirring up the promise of further development and refinement of the things that create the sensation of "Idol appreciation" as more standards are worked through. Lia gives her best and drives home the point with one final rushed breakdown beautifully fleeing the stage with the most convincing of trailing, quavering vocal intentions. All of the feels are pinging off the charts and Lia still has two final engagements to make.
