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Now, here we are today. Hololive concerts were literally made on FUCKING SOLSTICE and in the BIRTH OF SPRING (Bloom). This cannot be a coincidence. The dress is digital, virginity is a sham, the ritual isn’t even happening in a real location. But for the first time in a thousand years, westerners are getting a glimpse of what they had lost: to see children grow so one day they would execute their dances on the day the sun dies, and on the day it is reborn. A prehistorical memory awakens, and they remember.
Society however does not understand this rite of virginity, how it empowers women once again, and erroneously implies it is just another trick to rob the women of their “liberation”, a return to old Aristotelian values, when it is in fact its refutation: magic is returning to women thanks to the power of the dress. Who knows, maybe soon sacred prostitution will be a thing too. The old ways are coming back.
And so, this is my explanation of why the Japanese go fucking bonkers when they hear the word boyfriend, and why we westerners can’t understand it – it is because back in their heads they know idols are related to ancient Shintoism rituals going back since the dawn of time. We have forgotten about then, but we seem to be remembering it.
Haven’t you notice how much the idol dress looks like a western wedding dress? They are being married to the gods, once again. And the gods are pleased. How else can we explain this essay was written because of a single girl who debuted to thirteen people? Surely, bigger powers are at hand. Surely, these lines too are part of the will of the eternal idol dress.
