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I think Coco like always is an example of the duality of Hololive. On one hand I LOVE THIS BITCH when they get together in crazy collabs or the potential to encounter one another but I HATE THIS BITCH because all the risk management that is basically essential for a mid sized talent agency in Japan is choking all the creativity from the talents. Coco's best content couldn't work outside of Hololive which might be way we've not seen attempts to recreate it, but it also stopped working inside of Hololive (and is part of why she left) because it became too much work to produce.