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Hello, yes, liaschizo here. I think one of the most under utilized elements in chuubaing is the shaming. Pippa's most recent "yab" was such a complex psychological treatise on the act of projection, mirroring, and shame that it really is worth mentioning. I think it plays in ever greater to her overarching subversive elements of "owning the weirdos", that is to say her original fanbase, from a position of exposing them as no better than the things they hate which is to say react content consuming, normie pandering, mindless drones. Again the subtle complexities of this subversive thrust are organized in such a way that you have to be past a point of no return to recognize that they're even targeting you in the first place. While I find it in poor taste I must ascribe to it benevolence, as with my rotted mind in all things, to maintain what shreds of sanity I have left.
Lia on the other hand plays to a more virtuous instilling. While the fnnuy bnnuy has a more antagonistic, active approach in denigrating the viewer into self reflection at their actions Malware, paradoxically, or perhaps entirely appropriately, takes a largely passive approach. Lia's shaming action is one that is present with an almost purely overwhelming naivety to it that serves as the catalyst for the inner transmutation of the Liker. I think the Lia daki is probably the height of this artistic intent with the upside down u of her subtle disapproval being perhaps the ultimate catalyst of the entire Rinkou Ashelia performance. The juxtaposition of Lia's "dry snitching" disclosures of deviancy and the over enthusiastic self debasement of NSFW skebs within the stream of childlike wonder and exploration surrounding the Wind Waker experience really enshrined this virtue today. In this delicate balance of opposing thrusts towards understanding Lia she absolutely sunders the moral foundation of either detached individual stance of consuming her performance. The shameful integration of her debasement must be contented with in the same stroke as the juvenile glory of her ecstatic gaming experience. The type of purposeful improper timing again serves as the hallmark guilt mechanism, cleverly teased and primed with several other minor yabs throughout the stream. Lia proves again and again to demonstrate why she is the foremost narrative queen of Phase Connect.
